Best Underrated Movies On Hulu: Hidden Gems You Can't Afford To Miss

Here are some best-underrated movies on Hulu

The Fall (2006)

“The Fall” (2006), directed by Tarsem Singh, is a visually mesmerizing fantasy film that weaves a dual narrative between a stuntman with a broken heart (played by Lee Pace) and a young migrant girl (Catinca Untaru) in 1920s Los Angeles. The film unfolds like an elaborate tapestry of imagination and reality, blending stunning visuals with a poignant story.

Tarsem Singh’s directorial prowess is evident as he crafts breathtaking scenes that mirror the characters’ emotional journeys. The film’s lush cinematography, vibrant colors, and unique storytelling make “The Fall” an artistic triumph, offering a cinematic experience that transcends traditional narrative boundaries.

Ingrid Goes West (2017)

Ingrid Goes West (2017) is a dark comedy that navigates the perils of social media obsession with biting satire and unexpected depth. Starring Aubrey Plaza as the eponymous Ingrid, the film unfolds as she becomes fixated on the seemingly perfect life of an Instagram influencer (Elizabeth Olsen). Plaza’s performance is a standout, blending humor and a haunting vulnerability.

Director Matt Spicer crafts a sharp commentary on the curated personas people present online and the consequences of the relentless pursuit of validation. The film’s exploration of loneliness and the pursuit of authenticity in a digital age makes it a thought-provoking and relevant social satire.

“Timecrimes” (2007)

“Timecrimes” (2007), directed by Nacho Vigalondo, is a Spanish sci-fi thriller that intricately weaves a compelling narrative of time travel. The film follows Héctor, played by Karra Elejalde, who stumbles upon a mysterious time machine in the woods. As he becomes entangled in a complex web of temporal loops, the story unfolds with suspense and unexpected twists.

Vigalondo skillfully crafts a mind-bending experience, blending elements of suspense, mystery, and dark humor. The film’s minimalist setting and thought-provoking themes contribute to its unique appeal, making “Timecrimes” a cult favorite among fans of intelligent and unconventional science fiction storytelling.

“Wind River” (2017)

“Wind River” (2017), directed by Taylor Sheridan, is a chilling crime thriller set in the desolate landscapes of Wyoming. Starring Jeremy Renner as a skilled tracker and Elizabeth Olsen as an FBI agent, the film unfolds as they investigate the mysterious death of a young Native American woman on the Wind River Indian Reservation.

The movie skillfully explores themes of grief, justice, and the harsh realities faced by indigenous communities. With intense performances, a gripping narrative, and breathtaking cinematography, “Wind River” is a poignant and atmospheric tale that not only captivates with its suspenseful plot but also sheds light on social issues often overlooked.

“The Nice Guys” (2016)

“The Nice Guys,” a 2016 film directed by Shane Black, is a comedic gem that seamlessly blends neo-noir with buddy-cop dynamics. Set in 1970s Los Angeles, it follows the oddball duo of a down-and-out private investigator, Holland March (Ryan Gosling), and a tough enforcer, Jackson Healy (Russell Crowe). The film thrives on witty banter, unexpected humor, and a captivating mystery involving the apparent suicide of a porn star.

Gosling and Crowe deliver charismatic performances, enhancing the film’s charm. With sharp writing, stylish visuals, and a nostalgic soundtrack, “The Nice Guys” revitalizes the buddy comedy genre, earning acclaim for its unique take on crime storytelling.

“Leave No Trace” (2018)

“Leave No Trace” (2018), directed by Debra Granik, is a poignant exploration of survival and familial bonds. The film follows a father and daughter, played by Ben Foster and Thomasin McKenzie, living off the grid in the lush forests of the Pacific Northwest. Their isolated existence is disrupted, leading them on a journey of self-discovery and adaptation to societal norms.

The narrative delicately navigates themes of independence, resilience, and the struggle for connection. Exceptional performances, especially by McKenzie, coupled with Granik’s sensitive direction, deliver a deeply affecting cinematic experience. “Leave No Trace” invites reflection on the complexities of human relationships and the impact of societal expectations.

A Ghost Story (2017)

“A Ghost Story” (2017), directed by David Lowery, is a contemplative and haunting exploration of time, existence, and the human experience. Starring Casey Affleck and Rooney Mara, the film unfolds as a spectral narrative, following a recently deceased man who becomes a silent observer of life’s passage.

Cinematically striking with long, lingering shots and a minimalist score, it delves into themes of loss, legacy, and the ephemeral nature of existence. The film’s unique approach, including the use of a ghost draped in a simple sheet, offers a poignant meditation on the transcendence of time and the enduring impact of the intangible.

“The Art Of Self-Defense” (2019)

“The Art of Self-Defense” (2019) is a darkly comedic exploration of masculinity and martial arts. Directed by Riley Stearns, the film stars Jesse Eisenberg as Casey, a timid and vulnerable man who, after a brutal attack, enrolls in a karate class for self-defense.

As he progresses through the ranks under the stern Sensei (Alessandro Nivola), the narrative takes unexpected and satirical turns, delving into themes of toxic masculinity and the absurdities of traditional gender roles. Eisenberg’s deadpan delivery and the film’s dry humor contribute to its unique tone, making it a thought-provoking and unconventional take on both self-discovery and the martial arts genre.

“Short Term 12” (2013)

“Short Term 12” (2013) is a poignant and emotionally resonant drama directed by Destin Daniel Cretton. Set within a foster care facility, the film masterfully navigates themes of trauma, resilience, and human connection. Brie Larson delivers a powerful performance as Grace, a supervisor grapples with her troubled past while tending to at-risk teenagers.

The narrative unfolds with authenticity, portraying the challenges faced by both the staff and the young residents. Cretton’s empathetic storytelling, combined with superb acting from the ensemble cast, creates a compelling exploration of the complexities of the human experience within the context of a compassionate but flawed system.

“Brick” (2005)

“Brick” (2005), directed by Rian Johnson, is a neo-noir mystery set within the confines of a high school. The film follows Brendan Frye (Joseph Gordon-Levitt), a lone-wolf teenager delving into the shadowy underbelly of his school to uncover the truth behind his ex-girlfriend’s mysterious disappearance. Embracing classic noir tropes, “Brick” combines hard-boiled dialogue, intricate plotting, and a distinctive visual style that pays homage to the genre.

Gordon-Levitt delivers a compelling performance, navigating a labyrinthine narrative where teenage angst collides with a world of crime. Johnson’s directorial debut captivates with its unique fusion of genres, creating a dark and stylish cinematic experience.

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